Nov. 8th, 2009

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Archaeologists examining the remains of the Nasca, who once flourished in the valleys of south coastal Peru, have uncovered a sequence of human-induced events which led to their "catastrophic" collapse around 500 AD.

The Nasca are probably best known for the famous "Nazca Lines", giant geoglyphs which they left etched into the surface of the vast, empty desert plain that lies between the Peruvian towns of Nazca and Palpa.

The depictions have spawned various wild theories, including that they were created by aliens. Most scholars now believe that they were sacred pathways which Nasca people followed during the course of their ancient rituals.



Other aspects of Nasca history and culture remain less clearly understood, however. In particular, experts have struggled to explain why a society which clearly prospered during the first half of the first Millennium AD then collapsed into a bloody resource war and eventually vanished.

Some have argued that a mega-El Niño, which hit the region at around that time, may have been the cause. However, a team of researchers at Cambridge University, suggest that the Nasca inadvertently wrought their own demise.

Using plant remains gathered in the lower Ica Valley, the team found evidence that over the course of many generations, the Nasca cleared areas of forest to make way for their own agriculture. Studies of pollen samples taken by co-researcher Alex Chepstow-Lusty, of the French Institute of Andean Studies in Lima, showed that the huarango tree, which once covered what is now a desert area, was gradually replaced by crops such as cotton and maize.

As the paper explains, however, the huarango was more than just a tree - it was a crucial part of the desert's fragile ecosystem, which enhanced soil fertility and moisture and helped to hold the Nasca's narrow, vulnerable irrigation channels in place.

Eventually, they cut down so many trees that they reached a tipping point at which the arid ecosystem was irreversibly damaged. The authors do not dispute that a major, El Niño-style event then occurred - finding hard evidence for this for the first time. But they also find that the impact of this flood would have been far less devastating had the forests which protected the delicate desert ecology still been there.

source
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PARIS – The sign hung at 12, rue Chabanais, in the days when the building housed the most prestigious of Paris' infamous bordellos, read "Welcome to the Chabanais: The House of All Nations".

With the brothels closed down 60 years ago, nowadays the skinny eight-storey building on a tiny street near the Louvre houses an employment agency and a bunch of flats. But right across the road, at number 11, a gallery is keeping its memories alive.

Nicole Canet, who runs a gallery-cum-boutique of erotic pictures and historic sex toys, is holding an exhibition there on the heyday of France's legendary "maisons closes", or authorised brothels.

"I love going back in time, playing detective," Canet, a 50-something former dancer, told AFP.

Along with a selection of whips in rhino-horn and other suggestive bits and pieces, the show revisits the life of the brothels from 1860 to their forced closure in 1946 in some 400 old photographs, etchings and books.

The Chabanais, for one, was a routine stopover for foreign dignitaries, who would be sneaked in secretly by French government officials. One of its most distinguished visitors was Britain's "Bertie", then Prince of Wales and soon to become King Edward VII.

"Bertie" had his own room there, as well as a giant copper bath -- with a half-woman half-swan figurehead -- that he liked to fill with champagne before jumping in, and a so-called "love-seat", a weird contraption said to be for threesomes.

Worlds apart from sordid back-rooms in cheap hotels, the high society brothels evoked in the show were luxury palaces with sumptuous decors designed to cater to any fantasy.

Au Bonheur du Jour - Galerie d'Art

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